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Genre: Crime Country: France Year: 2007 Stars: Jean Dujardin, Laurent Lucas, Agnès Blanchot Ratings: 6.3 |
Storyline: Richard is a typical cop who spends too much time on the job and isn't always there for his family. One day as he's preparing to spend some quality time with his young daughter he gets an urgent call and responds to it – when he returns home his daughter is missing, but her body is quickly discovered. Racked with guilt he is also filled with hatred for the man arrested for the crime, but after being sent to prison the convict eventually manages to lure Richard into a secret correspondence. Doubts begin to surface – was he really the guilty man, or could this have been work of another serial child abductor who may have been in the area? Richard launches his own investigation, and finally uncovers a new witness. Gritty detective thriller.
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This film is a useful corrective for those who think that French cinema is inevitably polite, elegant and refined. Counter-survey is a shallow movie bad clunking little derivative. Although its authenticity has largely driven the basic premise of the film – a policeman whose daughter was raped and murdered, would then be allowed to investigate the crime as a denial of justice – disbelief challenge. Character development is dropped in favor of a nuts and bolts that offers a story a bit ‘of fun. Men suffer, you know, when their children die, but they can get through it by squaring their jaws and liquor. Pedophiles, well, they are intelligent, cold and calculating. And evil, thereabouts. Police said they would do a good job, if it was not for the bureaucrats. And liberals in particular. Last message of the film – the only Old Testament justice is justice in a world of well-defined good and evil – is absurd because it is smaller. A missed.
… by a number of things. Like how the movie was good, as it is classified here and how to get the main actor in this (since I saw the movie before it was a parody OSS 117). Although I’ve heard it’s a huge star in France.
No wonder I say. Performance holds the film together, which can be a bit ‘predictable and could go a bit’ too long, but it’s still a good movie. With a very difficult subject is. And a ratio between two characters, which is the minimum disturbance to. It is not only the wife of the protagonist (his film, but what is also obvious), but also with the other person in the film. It moves slowly, but if you adapt to this, you do not like (and twists are a nice addition, too).
First, in recent years, France has proven to be one of the most interesting “creators” of the crime, as a first line and thrillers. We have had successful films such as’ the beating of my heart stopped ‘, ’36 Goldsmiths Wharf “or more recently” Public Enemy No. 1 & # x27, and who can forget “Do not tell anyone.’
Question is that what happened?
must be one of the most interesting French films I’ve ever seen, and as I come n have never heard of him abroad (outside of France, of course)? here not only a genius and plot treated with a final twist that blows only a sequel, but solid performance (Jean Dujardin is excellent as hard Richard Malinowski) and staging good (Franck Mancuso is a pleasant surprise.) is a thriller short, crisp , with entertainment guaranteed. He did not car chases, shooting guns or explosions, but only mind tricks that fit perfectly.
This is one of those cases that if he had a different production, make it BIG TIME. Ed ‘its real shame because this little piece of tape is a French film decisions good lesson and that has not had a lot of recognition and visibility left forgotten.
however, the reader, to forget and if you are lucky, just watch because it is 75 minutes of high-crime movie – 8/10.